Pre Amps

In 2010 we announced the Reference Anniversary preamplifier, a special limited edition product commemorating our 40th anniversary. It was acclaimed by many as the finest preamplifier available and a fitting tribute to all of the classic Audio Research products that were introduced during the forty years that preceded it.

The LS28SE line stage is a flexible and intuitive preamplifier. Four balanced and four single-ended inputs, and two sets of both balanced and single-ended outputs, allow maximum connectivity. The straightforward menu allows control of numerous parameters, including input naming, tube hours, auto shutdown, and home theater passthrough. Phase invert and mono are also standard functions. At the heart of the LS28SE are four 6H30 vacuum tubes in the analog circuit. While the LS28SE is the perfect match for any Audio Research amplifier, it has been designed to work with nearly any amplifier on the market today.

For low level voltage amplification, valves are in a league of their own with respect to line- arity and musicality. For nearly a decade, COPLAND has contri- buted to the refinement of amplification using these classic devices.

We like to say the Inspiration PREAMP 1.0 is distilled, not diluted. It embodies the essence of our earlier work while retaining the subjective musicality and objective performance that won so much acclaim for our previous preamps.

Constellation Audio, the renowned luxury goods manufacturer of high performance solid-state electronics, is pleased to announce the introduction of the new Revelation Series of components at CES 2017. CEO Dr. Murali Murugasu challenged his dream team of designers and engineers to develop a new series of Constellation Audio components that could deliver the essence of our renowned Performance Series. The results are truly a Revelation.

Virgo III is a subtle but significant evolution of our Virgo II line stage preamplifier. The new version introduces a unique, passive implementation of a digital volume control created by our "dream team" of world-renowned audio engineers.

Only the Momentum preamplifier can deliver the sound quality necessary to get the maximum possible performance from the Momentum monoblock and stereo amps.

Like the Momentum amplifiers, the preamplifier uses complementary balanced circuit topology for maximum bandwidth and low noise. Its audio circuitry is fully discrete, with no op amps. Zero-feedback design assures the most musical sound quality. Volume adjustment is made through a resistor ladder governed by an optical controller—the cleanest, most transparent possible method of controlling volume.

The Progression Preamplifier adds new features previously not included in a D’Agostino preamplifier. Most noticeably, the Progression Preamplifier features an optional digital module. The digital module adds coaxial, Toslink, and USB capability to the analog base model. A fully differential DAC handles PCM signals up to 24 bit/384 KHz and DSD signals up to 4xDSD (11.2 MHz). This digital module feeds a discrete, fully complementary and balanced analog signal path from input to output. Negative feedback is not used anywhere in the Progression Preamplifier, nor is it necessary. Open-loop distortion is less than < 0.006% and the open loop bandwidth extends to over 100KHz.

The darTZeel NHB-18NS is the logical partner to the now acclaimed NHB-108 model one power amplifier. In keeping with the very same philosophy, darTZeel uses dedicated circuits reduced to their most basic form. Here again, there is no application of any overall negative feedback. The delicate, small audio signal amplified by the NHB-18NS only passes through 8 silicon junctions from input to output, including the 13dB full discrete gain stage. For the phono stage, we only add 3 junctions, for a maximum additional boost of 60 dB (73 dB in total).

Incredibly compact valve pre-amplifier for analogue line level. Using three ECC88s to create smooth sound. Luxurious design with chrome facia and gold or chrome knobs. Connect up to five analogue line inputs with a tape output.

Engineered on the same core technologies as the studio grade brother, the EAR 912. The EAR 868’s smaller size may mean theres less of it but there’s nothing less to it. It’s still big on performance with circuitry designed by Tim de Paravicini. The 868 utilises the same reliable PCC88s in a configuration of four.

The EAR 912 is a culmination of Tim de Paravicini’s work with professional studios. Specifically designed for playback in studios, inheriting the product a rich feature set in addition to its high grade sound.