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In 2010 we announced the Reference Anniversary preamplifier, a special limited edition product commemorating our 40th anniversary. It was acclaimed by many as the finest preamplifier available and a fitting tribute to all of the classic Audio Research products that were introduced during the forty years that preceded it.
The LS28 line stage is a flexible and intuitive preamplifier. Four balanced and four single-ended inputs, and two sets of both balanced and single-ended outputs, allow maximum connectivity. The straightforward menu allows control of numerous parameters, including input naming, tube hours, auto shutdown, and home theater passthrough.
Almost since the inception of the brand, Audio Research has produced some of the finest components for music reproduction; this is especially true with regard to preamplifiers. In 1973, the SP3 was hailed as the best preamplifier available, and this tradition of excellence has continued ever since. The Reference Series from Audio Research was first introduced in 1995 and has been the ultimate representation of performance, musicality and power. The Reference 6 is the latest chapter of our story.
Constellation Audio, the renowned luxury goods manufacturer of high performance solid-state electronics, is pleased to announce the introduction of the new Revelation Series of components at CES 2017. CEO Dr. Murali Murugasu challenged his dream team of designers and engineers to develop a new series of Constellation Audio components that could deliver the essence of our renowned Performance Series. The results are truly a Revelation.
Only the Momentum preamplifier can deliver the sound quality necessary to get the maximum possible performance from the Momentum monoblock and stereo amps.
Like the Momentum amplifiers, the preamplifier uses complementary balanced circuit topology for maximum bandwidth and low noise. Its audio circuitry is fully discrete, with no op amps. Zero-feedback design assures the most musical sound quality. Volume adjustment is made through a resistor ladder governed by an optical controller—the cleanest, most transparent possible method of controlling volume.
The Progression Preamplifier adds new features previously not included in a D’Agostino preamplifier. Most noticeably, the Progression Preamplifier features an optional digital module. The digital module adds coaxial, Toslink, and USB capability to the analog base model. A fully differential DAC handles PCM signals up to 24 bit/384 KHz and DSD signals up to 4xDSD (11.2 MHz). This digital module feeds a discrete, fully complementary and balanced analog signal path from input to output. Negative feedback is not used anywhere in the Progression Preamplifier, nor is it necessary. Open-loop distortion is less than < 0.006% and the open loop bandwidth extends to over 100KHz.
The darTZeel NHB-18NS is the logical partner to the now acclaimed NHB-108 model one power amplifier. In keeping with the very same philosophy, darTZeel uses dedicated circuits reduced to their most basic form. Here again, there is no application of any overall negative feedback. The delicate, small audio signal amplified by the NHB-18NS only passes through 8 silicon junctions from input to output, including the 13dB full discrete gain stage. For the phono stage, we only add 3 junctions, for a maximum additional boost of 60 dB (73 dB in total).
Engineered on the same core technologies as the studio grade brother, the EAR 912. The EAR 868’s smaller size may mean theres less of it but there’s nothing less to it. It’s still big on performance with circuitry designed by Tim de Paravicini. The 868 utilises the same reliable PCC88s in a configuration of four.